The way Greeks and Romans understood women Essay Example for Free

The way Greeks and Romans understood women EssayIn the Ancient World, women were non portrayed as they are today in modern literary works women usually play controversial roles where their actions ranged from protrudeing their take in family to destroying their own town. Women in ancient Greek plays and Roman stories did not posses the brotherly standing that we naturally think of today, many times their only power was to strike back when they were hurt. Medea, Phaedra, and Dido, admirable or dangerous, are among the most(prenominal) complex literary characters of any period. Medea, of Euripides play Medea, represents the destructive quality of possessive case intrust often portrayed by Greek women. Medea becomes enraged by Jason when he leaves her to be with the missy of the King of Corinth. She reacts by destroying everything around him. She destroys his newly wife, her father the King, and even goes as far as to kill her own two children she had with Jason in order to hurt him. Medea rationalizes her actions by saying if she cannot have Jason, the thing she wants the most in life, then he cannot have the things that matter the most to him in his life.Medea illustrates her nature of possessive desire for Jason with the line, At last I understand that awful deed I am to do just passion, that cause of direst woes to mortal man, hath triumphed oer my sober thoughts (Euripides 104). From this you can see that Medea is only concerned with herself and her desires as opposed to her famil she kills her own children to hurt her husband.Like Medea, Euripides writes another play Hippolytous, with a similar character named Phaedra. Phaedra is the wife of Theseus that has become ghost by an incestuous passion for her stepson, Hippolytus. Phaedra attempts to win over Hippolytus in a love letter. Hippolytus, however, is a accessory of Diana, the goddess of chastity and therefore refuses her. Phaedras distraught revenge includes her suicide and his succeeding, undeserved death by his father. In this case, comparable Medea, Phaedra could not possess her alleged good, her life and his must be sacrifice.Yet another example of this misplace desire is in Virgils Aeneid with the character of Dido. In Aeneid, Aeneas is persuaded to leave his fate to found Rome and stay with his new found love, Queen Dido of Carthage. By theintervention of the gods, Hermes and Jove, Aeneas is able to resist Dido and does not marry her but does in fact go on to found Rome. Once again this possessive quality is aptly shown by Hermes, Degenerate man,/Thou womans property (Virgil 166). Dido verifies this and pleas with Aeneas,had you deferrd, at least, your hasty flight,/And left behind some pledge of our delight,/ close to babe to bless the mothers mournful sight,/Some young Aeneas, to supply your place,/Whose features might express his fathers face/I should no then complain to be left bereft/Of all my husband, or be only left (Virgil 168).Obviously Didos love is not actually true love since she is willing to compromise for an transpose Aeneas, whom she will be able to possess more fully be raise him to her satisfaction. Aeneas refuses Dido this as puff up and she, like Pheadra, burns herself. But as her sister mourns, she points out that Didos death was not a lone(prenominal) destruction At one thou hast destroyd thyself and me,/Thy town. Thy senate, and thy colony (Virgil 818) By destroying her own town, something that she devoted a mount of her life to, she hurt many more people than just herself and Aeneas.In these three works, Medea, Hippolytus, and Aeneid, the female roles rebelliously had an agenda. The women were all overwhelmed by love and were blinded by it. Medea, Phadrea, and Dido committed unthinkable crimes in an attempt to spill revenge on the object of their affection. In the end, none of them possessed the man they were longing for, they only finish up hurting themselves and those that supposedly meant the most to th em.